A DIY Faux Weathered Wood Ceiling

My idea for the Tinygami Work Studio is to have the left half of the ceiling bright white as it will be the side I use as a mini photo studio. The walls and ceiling will be plain white and perhaps even part of the floor.

The right side is where my daily work/production area will be. I want it to feel like a private alcove, kind of cozy and comforting, like I’m tucked away from the world when I go there. I guess you could say I’m going for a rustic, Japanese, farmhouse kind of environment.

Since day one as I’ve driven around the Michigan countryside I’ve always been envious of the old barn wood I see on every highway I’ve traversed. How to get that look when I don’t have an old barn to knock down and dismantle to upcycle those gorgeous weathered boards? Make them!

I sifted through a multitude of tutorials on Pinterest and came up with this:

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Since I don’t seem to be 100% back in the swing of blogging (the way I used to be) this tutorial is a little under-imaged but contains all the pertinent info you’ll need to try this project yourself.

In a nut-shell I’d say it was both easy and fun. Since you’re going for a worn and weathered look perfection isn’t a requirement. It’s more like a little slap it on, rub it around, wipe it off kind of  process that is quite forgiving as long as you remember to not create hard start and stop lines with the first coat of stain as they’ll mark the wood with straight lines. In order not to do that I discovered two tricks:

  1. The main one I used on each coat was this: Apply the stain in short 2 foot sections (starting at the right end of the board and moving left) by dragging the foam applicator from right to left so that where the stroke ends you have long streak marks instead of a hard solid edge. When I applied stain to the next section I’d zig-zag the applicator a bit then do the same. I constantly went back to the far right end of each board and would draw the applicator down as far as the last section I’d just stained. This kept the application of the stain nice and even.
  2. On day two I did add a touch of mineral spirits to the foam applicator to apply the ebony which made the stain easier to apply. I don’t know that I had to do this but didn’t want to take any chances since the black-color was so dark.

Supplies:

  1. 29 Pine tongue and groove boards for each half of the ceiling. I purposely looked for the boards with knots, swirls, and patterns that were loaded with character. The “perfect” boards I used for the painted white boards or slipped them back into the pile at the lumber store.
  2. 1 coat of Minwax Jacobean oil-based stain applied with a 5″ foam/sponge applicator and wiped off with a lint-free cloth. Allow to dry at least 24 hours until dry to touch.
  3. 1 coat of Minwax Ebony oil-based stain applied same as step 2.
  4. 1 coat of Minwax Classic Grey oil-based stain applied same as step 2.
  5. I will most likely be using Minwax Clear Brushing Lacquer in the satin finish as my finishing coat because I really want a crystal clear finish, not a topcoat that turns amber over time. ETA: I have now decided I will either leave the wood unfinished or use a finishing wax as I don’t want a shiny surface to the boards. I’d prefer them to look raw and unfinished. Because there is no plumbing in the studio, and during the winter I’ll run heat, and the summer AC I don’t think humidity is going to be a problem as far as moisture damage to the ceiling.

Optional items I used for this project:

  • Rubber gloves. I got the chemical resistant kind at the hardware shop.
  • Foam applicators. I used 6 start to finish. The first color took 3 to, the second color took 2, and the final color only used 1. This was because the more stain that was already on the boards the easier it was to apply.
  • I used 2 lint-free rags total for wiping down the boards. I used the first one until it was so saturated with stain I had to start a second.
  • 3 stir sticks, one for each color of stain.
  • A breathing mask rated to filter out the stain fumes as I was working in a heated garage for 3-4 hours for each color/coat because it’s winter.
  • Paint thinner to clean up.
  • I didn’t until it was too late but I’d say to use lots of cardboard on the floor and at each end of the length of your boards to prevent splatters.

Optional ideas I read about but did not implement:

  • Sand all hard edges before you begin to create a more worn look.
  • Spot sand board edges between colors also to create a more worn and weathered.
  • Beat the boards with random heavy objects to dent and ding them then sand the dents and dings to make them look aged.
  • Use a combination of paint and stain to color your boards.

Some of the many pins I used for inspiration:

Build a Rustic Sofa Table & Make New Wood Look Old on PaperDaisyDesign.com
Wood feature wall on TheRaggedWren.Blogspot.com
MIXED WOOD WALL – EASY & CHEAP DIY on UncookieCutter.com
HOW TO MAKE NEW WOOD LOOK LIKE OLD DISTRESSED BARN BOARDS on RealityDayDream.com
DIY Plywood Plank Floors on CentsationalGirl.com

If you decide to try this and have any questions leave a comment or message me via my website! I’m happy to help if I can.

Oh, and these are the 29 painted white boards. They’re primed then painted with one coat. The second coat will go on after installation. I’ll admit I’m pretty excited to see them all go up!

white-painted-tongue-and-groove-ceiling

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Want to fold with me?

I revamped my Tinygami website a bit ago and included this at the bottom of the Home page:

WEST MICHIGAN ORIGAMI FOLDING CLUB
In spring of 2017 I am going to start a West Michigan Origami Folding Club. It will meet monthly and be an informal group session where folders can gather to work on current projects and share (ideas, tips, instructions, paper, paper sources, etc.) as well as mentor new folders into the art of origami. If you are interested in joining please sign up on the contact page for future updates.

This is what my website contact page looks like. If you click the box that says “West MI “Origami Folding Club – Coming Spring 2017 Updates” I will send you an email as soon as I’ve figured out where the meetings will be hosted. I may also send you one other message asking you to share input on how the club can best serve your interests and needs.

tinygami-contact-pageI’m leaning towards finding a space between Grand Rapids (where a lot of people live) and Greenville (where I live). I’m thinking somewhere in or near Lowell, a nice halfway point between both locations. My priorities in choosing a venue are:

  • A large enough venue
  • No or low cost to participate
  • Free Parking
  • Easy access for people coming from both directions

If you’re interested in joining please feel free to add suggestions in the “Message” box at the bottom of the contact page. Once I have a venue and date for our first meet up I’ll send an email out and let you know.

At this point I have no idea what to expect. Will I be folding alone? Will anyone come? I think they will, there are already a LOT of talented folders in West Michigan and many visitors at ArtPrize have expressed an interest in learning so I think a club will be a lot of fun.

I hope you’ll join me!

CLICK HERE to sign up

A space of my own

I think it would be fair to say that most artists and crafters dream of having their own work studio. A space separate from their living area whether it’s a room, the basement, or even better, completely detached from their home.

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Well, that dream is becoming a reality for this origami artist. Earlier this summer the ground was broken (and graded) to accommodate the 16’x20′ build site where I will have not only a work studio but a screened porch (to protect me from the mosquitos, noseeums, deer fly, and black flies) as well.

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I am fortunate that some of Fred’s friends (now my friends too) are helping Fred with the build. One has come with a tractor and back hoe, professional equipment to finish the concrete for the foundation, and his invaluable expertise. Oscar has made many long trips out to Greenville to burn and oil the wood siding. He will be a Shou Sugi Ban expert by the time he’s done. Scratch that. He already is 🙂 I cannot thank them each of them enough.

The walls went up…

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And then the rafters and roof over the studio area…

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The cedar boards and windows arrived. The cedar smells sooooooo good!

My favorite window is this one…

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It’s a 5′ round window to evoke the “moon” windows and doors in Japan. The round shape is used as a frame to create a vignette through which a beautiful garden view can be enjoyed in all four seasons. It is going into the large square framed area below. Basically, I’ll be sitting right in front of it almost level with the bottom of it because my work area will be on an 18″ high platform which accomplishes two things:

  1. The platform will create storage space beneath it because storage space is hard to come by in the 8’x12′ I’ve designated as my work area.
  2. Because even as I type this I am sitting on the couch as if I’m sitting on the floor, and because I even sit at the dining table in a chair as if I’m sitting on the floor (legs tucked beneath or in front of me) I decided to forego having chairs and simply install a dropped foot well in the platform, like in a Japanese restaurant tatami room. Then if I want to sit upright I can. Having a soft cushion to curl up or sit on instead of a chair will save a lot of space!

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For the exterior we are using a Japanese wood preparation/preservation technique called Shou Sugi Ban (pronounced: show-sue-gē-bawn). Everywhere I’ve read about this technique (aka yakisugi) it is said the treatment leaves the wood fire, moisture, and insect resistant and the benefits can last as long as 85 years. The tung oil can be reapplied as needed to further protect the wood. Fred suggested using cedar shiplap siding vs tongue and groove as most of the tongue and groove is beveled on the side edge and wouldn’t look flat like this.

The steps go like this:

  1. Burn board with a propane tank weed burner – Video on Instagram
  2. Scrubbing off the charred wood with a brush
  3. Rinse board with water
  4. Allow board to dry
  5. Brush board with tung oil and wipe with rag
  6. Allow oil to dry
  7. Repeat step 5

It is labor intensive but the results are beautiful. The burnt wood is dark brown and blackish when the sun isn’t shining directly upon it. With direct sunlight the wood becomes almost metallic looking with a rich organic appearance as the oiled finish highlights the natural wood grain and knots.

tinygami-art-studio-6-shou-sugi-ban-siding

Eventually the brown in the boards will fade to grey the way cedar naturally fades and the blackness will soften as the particles of soot still trapped in the wood grain weather off over time.

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We opted to leave the porch posts, beams, and rafters unburnt to create contrast with the siding. I didn’t want things too matchy-matchy.

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Right now the warm red color of the cedar provides a sharp contrast. I’m looking forward to when it greys and the contrast isn’t so pronounced.

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To date everything I’ve made for ArtPrize the past three years has been made working at this 2’x3’coffee table in the living room with my supplies divided between two upstairs rooms and the basement. It is organized chaos. It will be so nice to have a formal workspace sometime next year 🙂

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But even more important than having my dream studio come to life is that I’ve found a place (The Place) where my creativity isn’t crushed or stifled because of my environment. Instead, or maybe I should say finally, it’s been released in a torrent of ideas brought to fruition.

Above is the pair of Sandhill Cranes that nest in the marsh behind the property I live on. Sometimes they call to each other from the marsh before and as they leave in the morning. When I hear them I rush out to the back deck to watch them fly away for the day.

tinygami-origami-studio-west-michigan

It took my whole life, many mistakes, self-reflection, learning how to let go of fear, and a giant leap of faith but I’ve finally found true happiness out here in this beautiful landscape I now call home ❤

Origami Iris Crane

There’s a saying if you don’t like the weather in Michigan, wait 10 minutes. LOL. But in the past week we have had unseasonably bizarre weather. It was 19º (F) out just a week or so ago and a few days later it was 70º (F).

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Yesterday I noticed the new bulbs I purchased at Hollanders last autumn were breaking forth and pushing up through the softened, warmed dirt. “Hmmm” (I thought to myself) “I wonder when the iris’ will make their first appearance?”

 

origami-iris-practice-prototypes

Which got me thinking about flowers and the traditional Iris origami model. I’d always wanted to make one and add the yellow beard to the petals but just never got around to it. But last night, just as I was falling asleep, I saw a picture in my head of a dark purple origami crane with finely cut yellow paper attached to the wings, neck, and tail to create the beards. So this morning when I awoke I made it.

I have no doubt the inspiration and gumption to actually make it came from following Cristian Marianciuc (aka icarus.mid.air) on Instagram. Cristian creates the most incredibly creative embellished origami cranes you can possibly imagine. If you’ve never seen his work CLICK HERE to go take a peek, I’ll wait.

I did make a couple of large iris decades ago but none since then. I went on Google to find instructions and took two practice runs (they aren’t very pretty but they are what they are) before creating the final piece.

tinygami-miniature-origami-iris-flower

Gluing the beards, made of finely snipped paper, down was fairly simple.

It kind of made the crane look like a horse with a mane. Or a really funky crane wearing a mohawk. Either way, I loved the way it turned out. I’m always so happy when the pictures in my head are brought to fruition. It’s a very good feeling. This morning I said to Fred “I think my creative mojo is back!” After showing him this piece he agreed.

To show scale (2 5/8″ high) I used a wine cork as my planting medium. So cute! It even stands up on its own. The leaf and stem combination is an original design. It’s true what they say about necessity being the mother of invention.

You can expect to see a field of theses little beauties incorporated into one of my ArtPrize mobiles this fall. I’m very excited to make more of them!

Surprise! It’s a box!

After sending out a dozen or so Tinygami gift boxes I realized there was a perception problem. . . Or is there? I came up with a solution for what I now think may not be a problem at all.

I’d given my tiny boxes cute and clever little names like “Littly Lily Box” and “Bunny Box” when I should have just called them “Accidental Surprise Boxes.”

tinygami-origami-surprise-gift-boxes

My friend Mark calls it “The curse of knowledge” when you assume others know what you know. Turns out unless people had been following my Tinygami Instagram feed or Tinygami Facebook page they most likely weren’t going to realize that the origami box they received was, in fact, a box. I think most assumed it was a display stand and the tiny model on top was a decoration I had sent them.

tinygami-stacie-tamaki-origami-gift-boxes

The funny thing is that some even took them places to show people, like a dear friend who took hers to work, never realizing the box was filled with tinygamis! I understand how it happens because even though they’re full of miniature origami models everything is so light you can’t tell by weight there is anything in the box.

Think The Tardis effect. The boxes are so small expecting there’s more inside just isn’t the natural conclusion one would jump to. It’s rather fun really. It’s like they’re little magic boxes.

tinygami-inside-miniature-origami-gift-box

And one of the first patrons to my Etsy Shop messaged back to say the person she had me send a filled Bunny Box to as a gift had no idea there were more surprises inside. Which made it all a lot more fun for her to be on the phone and hear the astonishment in her recipient’s voice when she realized the stand was a box and there were more tinygamis yet to be discovered. LOL

So now there will be two options going forward:

  1. People can order their boxes with a small lift that raises the lid and distinguishes the lid from the bottom of the box. I’ll probably make those in contrasting papers as well like in the first photo.
  2. Or, you can order a surprise style box and call or message your recipient after to ask “Did you look inside?”

 

tinygami-origami-gift-box-instagram
This photo was posted on Instagram by my friend Shellie after she received her Tinygami gift box 🙂

Because the tinygamis are so small the boxes can be filled with an incredible number of items even though they are only 1″x 1″ or 1/2″ x 1/2″ in diameter. The one that surprised me most was this Little Lily Box. It held 6 tiny origami frogs, a tiny paper heart, an Itty Bitty 3/8″ crane tucked inside a menko to protect the crane, and a fortune cookie style banner with my website address on it. All inside of the 1″x 1″ x 1/2″ box!

What I have learned is regardless of whether people realize they boxes are boxes (or not) the one thing that has been 100% is that they’ve brightened the day of everyone who has received one. Which means a lot to me to know my work is out there in the world making people happy 🙂

If you’re curious you’ll find the boxes and more are now available at my almost complete Etsy Shop.

Renzuru

tinygami-renzuru-origami-cranes-frogs

Years ago I purchased a book that featured the Japanese art of “Renzuru” which is to fold multiple, connected, origami cranes from a single sheet of paper. When I saw @kenji_kujime‘s Instagram feed it reminded me how I had experimented with renzuru in the past but that was many, years ago.

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I was inspired to try again but this time to be a bit more creative and combine two of my favorite folds being the tiny 3/4″ origami frog with a paper crane. The smaller (1.5″ high crane) on the right was my first attempt which led me to try a second time making a larger crane (2″ high) and suspending the frog by its front leg rather than its rear leg. Am quite happy with the result. Not sure how this will factor into future designs but it’s always fun to challenge myself with things I’m not certain can be done.

The finished models remind me very much of when I used to visit the Colusa Wildlife Refuge in California and Monterey Bay and would see herons and egrets catching their meals in shallow water.

Wishing you a Valentine’s Day. . .

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An original design idea inspired by a piece of gift wrap cellophane that would be going into the trash. Could I make a crane from it? It turned out yes, yes I could! My very next thought was: “Hmmmmm. . . What can I put inside the hollow of the body?” Immediately I realized I wanted to fold a tiny origami heart and slip it into the crane. I tried it just in time for Valentine’s Day and was very pleased it worked!

This is a design idea I will be exploring further. There are so many possibilities! The cellophane is difficult to fold, as was the 1/4″ diameter origami heart. But the moment I finished the first one all I could think was it was well worth the effort.